"No hay duda sobre la voz: es gastada, envejecida, conmovedora, desafiante, carente por completo de bordes suaves, un instrumento enormemente convincente para cualquiera enamorado del soul de ojos azules".
-David McGee, Piedra rodante
Born in Los Angeles, Carnes penned her first song at the tender age of four and hasn’t stopped since. Her first publishing deal, which teamed her with famed producer Jimmy Bowen, had her sharing demo-recording time with Bowen’s other writers, which included future Eagles Don Henley and Glenn Frey, as well as J.D. Souther. In 1971, Carnes sang “Nobody Knows,” written by Mike Settle, over the end credits of the road film, Vanishing Point. Carnes also scored her first cut as a songwriter with “Sing Out for Jesus,” recorded by Big Mama Thornton for that same film.
Si bien llamó la atención de muchos por primera vez a través de su interpretación histórica en 1981 de “Bette Davis Eyes”, escrita por Jackie DeShannon y Donna Weiss, el éxito número uno de Billboard de ese año y todavía uno de los mayores éxitos de las listas Hot 100 de de todos los tiempos: la canción ganadora del Grammy es solo otra faceta notable de una carrera global de grabación, interpretación y composición que ya abarca cinco décadas. Sus canciones han distinguido los álbumes de platino de la artista, así como los de sus muchos compañeros. Y luego está esa voz inconfundible. Como ha señalado el respetado periodista musical de Nashville, Peter Cooper, “la voz de Carnes es una delicia: sorgo, whisky y un aullido del corazón, con un fraseo que recuerda a Dylan de la era Blonde on Blonde ”.
"La reina del raspado y el enrollado".
- Keith Tuber, Revista Orange Coast
In 1980, Gideon, a landmark concept album recorded by Kenny Rogers, was penned entirely by Carnes and Ellingson. A No. 1 country and Top 20 pop entry, it was buoyed by the crossover success of “Don’t Fall in Love With a Dreamer,” the Rogers-Carnes duet which was a No. 4 pop hit, No. 3 on the country chart and No. 2 on the Adult Contemporary survey. Gideon would go on to sell more than three million copies. Carnes’ first solo Top 10 hit followed – a sultry, soulful reworking of the Smokey Robinson classic, “More Love.”
Carnes signed with A&M Records and released a pair of albums. The second, Sailin’, produced by the legendary Jerry Wexler, featured the American Song Festival grand prize-winning “Love Comes From Unexpected Places,” which also won Best Composition at the Tokyo Song Festival and was the first of three songs she would eventually have cut by Barbra Streisand – one of which, “Make No Mistake (He’s Mine)” – Carnes wrote and co-produced. In 1978, Carnes became the first artist signed to the newly established EMI-America label and, with Gene Cotton, earned her first Top 40 hit, “You’re a Part of Me.”
After her 1981 album, Mistaken Identity, gave her a Grammy for Record of the Year from "Bette Davis Eyes", she followed with Voyeur, another Grammy-nominated collection that showcased her gift for both hard-charging rockers and passionate ballads. Her hitting streak, spread across the pop and adult contemporary charts would continue with such tunes as “Crazy in Love,” “I Pretend,” “What About Me,” “Crazy in the Night” and more. She also won her second Grammy award for “I’ll Be Here Where the Heart Is” from the blockbuster, Flashdance soundtrack. In 2000, she performed a duet with Jeff Bridges titled 'Ring of Fire' for his film 'The Contender.' Additionally, she has made notable contributions to the soundtracks of diverse films, ranging from 'Spaceballs' to 'Valentino: The Last Emperor.
In 1985, Carnes was among the cadre of singers who contributed vocals (as U.S.A. for Africa) to the all-star single and music video, “We Are the World,” which sold 20 million copies worldwide. In 1988, Carnes reunited with producer Jimmy Bowen and recorded View From the House, which featured her Top 10 AC hit, “Crazy in Love.” Continuing to perform and write songs, Carnes and family relocated to Nashville full-time in 1994.
"Fue emocionante formar parte de la generación del rock".
-Bette Davis
The wonderful songwriting community in Nashville helped Carnes craft what has been one of the highlights of her professional career, the critically lauded 2004 album, Chasin’ Wild Trains. Cited by Country Music Today magazine as one of the best non-country albums of that year, the disc was praised across the globe. The collection featured guest appearances from such notables as Kings of Leon producer Angelo, Al Anderson, Matraca Berg, Chuck Prophet, Anders Osborne, Kim Richey, among others. “It’s the only album I did exactly the way I wanted,” says the singer-songwriter. “Nobody told me ‘no.’ I did it with the help of these incredible songwriters. It was a collaborative ‘love’ project.”
The writer of three No. 1 one country songs, including “The Heart Won’t Lie,” a smash duet for Reba McEntire and Vince Gill and “Make No Mistake (She’s Mine),” recorded by Ronnie Milsap and Kenny Rogers, Carnes’ Music City experience has paired her with other top tunesmiths including (to name a few) Kim Richey, Matraca Berg, Greg Barnhill, Al Anderson, Jeffrey Steele, Tim Nichols and Connie Harrington. To date, her songs have been covered by country superstar Tim McGraw (to whose songs she has also added background vocals), as well as Deana Carter, Sawyer Brown, Tanya Tucker, Suzy Bogguss, Pam Tillis and more.
In 2011, a pair of songs she wrote for (and with) the husband-and-wife duo O’Shea topped the charts in Australia. On any given night in Nashville, it’s no stretch to find her sharing an “in-the-round” stage with the likes of John Hiatt, Michael McDonald, Lori McKenna, Barry Dean or any of her frequent collaborators. She continues to take her full band out for shows, special events and TV in the U.S., Paris, Rome, Berlin, Chile and Argentina, and other destinations worldwide.
“There’s this whole part of what I do and what I started out doing, being a songwriter, that few people know, I’ve always written songs, every day. That’s how I started out and that’s still so important to me. I’ll be doing it forever.”
En 2014 participó en un especial de compositores de la BBC presentado por el estimado locutor británico Bob Harris, contribuyó con voces a dúo en un álbum de canciones escritas por el aclamado músico Frankie Miller, coescribió canciones para un par de álbumes del cantautor estadounidense Dana Cooper y versionó “Under My Thumb” de los Rolling Stones para un proyecto discográfico brasileño.
“Escribo lo que amo y siempre lo he hecho”, dice hoy. “Tengo mucha suerte de escribir y actuar con algunos de los mejores escritores del mundo. Me lo estoy pasando genial”.